It’s not revolutionary, but Rewind, Replay, Rebound doesn’t sound like Volbeat’s last day under the sun in the slightest. It’s hard to argue with their light touch: comical track titles such as Pelvis on Fire tell you all you need to know about how seriously Volbeat take themselves, while the album’s guest list – Slayer guitarist Gary Holt, Clutch vocalist Neil Fallon and the Harlem Gospel Choir – speaks to their eclectic nature. There are splashes of sax and 1950s piano on the furiously fun Die to Live, while acoustic ballad When We Were Kids showcases their more tender side. ‘Rewind, Replay, Rebound’ is Volbeat hitting a fork in the middle-of-the-road they sound as good as ever their catalogue is blurring into one big rockabilly dance-off rather than a set of standout songs. Men der er også blevet plads til at søge nye kreative veje. På det nye album Rewind, Replay, Rebound giver Volbeat os mere af den psykobilly og rocknroll, som har vundet dem et gigantisk publikum både herhjemme og internationalt. Fist-pumping guitar riots such as Sorry Sack of Bones find them doing little to disrupt the formula that gave them such success, reaching instead for more face-melting guitar solos, huge pop hooks and Metallica-indebted vocal wails. 10 September 2010 14 Songs, 52 minutes 2010 VOLBEAT, under exclusive license to Universal Music Domestic Rock/Urban, a division of Universal Music GmbH. august 2019 er Volbeat tilbage med deres 7. Volbeat have confirmed the digital release of Rewind, Replay, Rebound: Live In Deutschland, available digitally worldwide on November 27 via Republic Records. It’s a sound that’s made them a rock institution in their homeland: last year, they played to 48,000 people in Copenhagen’s Telia Parken, the nation’s biggest ever headline show by a native band. august 2019 er Volbeat tilbage med deres 7.
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